Tom Stoppard, Dogg's Hamlet, Cahoot's Macbeth

Fergus Edwards (University of Tasmania)
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Dogg’s Hamlet, Cahoot’s Macbeth

unites two one-act plays that have common elements, most notably the invented language of “Dogg”, but also a Shakespearean intertext and an emphasis on theatre in performance: the names Dogg and Cahoot allude to theatre directors known to Stoppard. In

Dogg’s Hamlet,

an English-speaking deliveryman arrives at a Dogg-speaking school (whose headmaster is also called Dogg) and builds a stage so that a prize-giving presentation and a production of

Hamlet

can be performed. The play evolved over an eight-year period from

The Dogg’s Troupe 15-Minute Hamlet

and

Dogg’s Our Pet

and was inspired by an early passage in Ludwig Wittgenstein’s

Philosophical Investigations

(1953). This was a key reference point for

Jumpers

(1972) which Stoppard was…

2760 words

Citation: Edwards, Fergus. "Dogg's Hamlet, Cahoot's Macbeth". The Literary Encyclopedia. First published 17 March 2025 [https://www.litencyc.com/php/sworks.php?rec=true&UID=15428, accessed 29 March 2025.]

15428 Dogg's Hamlet, Cahoot's Macbeth 3 Historical context notes are intended to give basic and preliminary information on a topic. In some cases they will be expanded into longer entries as the Literary Encyclopedia evolves.

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