When Friedrich Schlegel published his novel
Lucindein 1799, at the dawn of German Romanticism, he caused a scandal because his readers identified the protagonists Julius and Lucinde as alter egos of the author and Dorothea Veit (1763-1839), a divorcee with whom the author lived in Berlin and Jena (they married in 1804). Critics objected to the arabesque form of the novel, which they considered a failure in the light of Goethe’s paradigmatic
Wilhelm Meisters Lehrjahre[
Wilhelm Meister’s Apprenticeship, 1796]. Until the twentieth century, scholarship did not appreciate
Lucindeas a radical and experimental challenge to the aesthetic and moral conventions of the past. Yet in the wake of the French Revolution, young Schlegel had set out to use the
Zauberstab(magic wand) of poetry to…
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Citation: Hoffmeister, Gerhart. "Lucinde". The Literary Encyclopedia. First published 02 February 2007 [https://www.litencyc.com/php/sworks.php?rec=true&UID=14270, accessed 03 December 2024.]