Wole Soyinka, Jero's Metamorphosis

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Jero’s Metamorphosis

(1973) is more substantive than

The Trials of Brother Jero

(1964), in that it is a full length stage play.

Jero’s Metamorphosis

remains on similar terrain to the earlier work, though Brother Jero’s appetite for power has increased. Indeed the image in the opening stage direction recalls the brevity and succinctness of Soyinka’s revue sketches: “On the wall, a large framed picture of a uniformed figure ... indicates that Jero’s diocese is no longer governed by his old friends the civilian politicians. As Jero dictates ... it is obvious that he has his mind very much on this photograph” (Soyinka,

The Jero Plays,

London: Methuen, 1977, p.47). The play’s coherence centres on the repetition of this image: in scene two, “A portrait of the uniformed figure,…

1049 words

Citation: McLuckie, Craig. "Jero's Metamorphosis". The Literary Encyclopedia. First published 02 February 2004 [https://www.litencyc.com/php/sworks.php?rec=true&UID=12838, accessed 25 November 2024.]

12838 Jero's Metamorphosis 3 Historical context notes are intended to give basic and preliminary information on a topic. In some cases they will be expanded into longer entries as the Literary Encyclopedia evolves.

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